Now I know it’s odd to say, but the first half of the year I class as my ‘Wes Anderson time’. It sounds odd but from January until around the end of May is a time when the weather in England is unpredictable (when isn’t it) I like to dive into new but familiar territory. Having usually just listened to the same Christmas tunes year in, year out, when January rolls around I like to revisit and become reacquainted with familiar things like my favourite films such as The Grand Budapest Hotel whilst also delving into newer territory. This for me means sticking with the thing I love but in other formats. I did this recently with Schitt’s Creek by reading the book Best Wishes, Warmest Regards; so it felt only natural to try it with The Grand Budapest Hotel too.
Now I must admit, this is my favourite film by Wes Anderson so I do clutch onto it big time but I am really trying to verse myself in the rest of his works too and I do still have a ways to go. In the mean time though, it doesn’t hurt to take comfort in books that are a bit ‘Wes Anderson‘ too.
I won’t go too into this book as I did only recently write a whole, rambling post about it; so instead here’s the link to that here. What I will say though, this book is beautiful. It’s a behind the scenes look at all things The Grand Budapest Hotel and goes into such depth discussing the process of making the film. I’d recommend it to anyone who loves Anderson, the film or even anyone with an interest in storytelling or movie-making.
The Society of Crossed Keys: Selections from the Writings of Stefan Zweig, Inspirations for The Grand Budapest Hotel, by Stefan Zweig, Wes Anderson & Anthea Bell
This little pink book is a compilation by Anderson showing his appreciation of Zweig’s work and showcasing his favourite pieces by him. It includes a conversation with Anderson talking about how Zweig’s work inspired him; and you can definitely read certain details in the pieces themselves which really spoke or inspired certain elements. It includes Zweig’s last work ‘The World of Yesterday’ which is nostalgic in its details of a bygone Europe. All of the pieces in this collection are deeply philosophical and thought-provoking in there musings. I wouldn’t say it’s a light read but if you have the time and the patience, I think it’s worth a read.
This is what it says on the tin – screenplay of the film. One of my favourite things about The Grand Budapest Hotel is the writing. I think I’ve said it before but the writing has such a musicality to it that I absolutely love so this is such a great read for me. While the plot is inspired by the workings of Stefan Zweig and the film displays a bygone era of sophistication through its visuals, the writing and characters are still so wonderfully portrayed through simply reading the screenplay. It helps that the film is sectioned into parts like ‘Part 1: M. Gustave‘, like it was purposely made to be read. While I do love this book, I do wonder if someone could enjoy it without never watching the film.
This book was actually a birthday gift that I welcomed with open-arms, and squealing slightly. It’s beyond beautiful and is absolutely flawless in its curation. This book is somewhat a coffee-table book with the majority of it being full of vibrant photography. It’s a bit of a photo project with the composer Koval being sent these photos from all over the globe from individuals who also recognise and appreciate how settings so common place can be accidentally Wes Anderson. Koval then compiles written excerpts to accompany the photography which I found so fascinating. He included the history of some of the along with little, personal anecdotes which was lovely. It truly is the perfect book for escapism!
This book is very much the aesthetic of Anderson with the photography all checking those necessities for symmetrical lines, tiny but quirky places and pastel tones contrasted by bright blue skies. There’s definitely a mix of polished places and then the shabbier, more run down spots but all tie together under that umbrella of whimsical charm. Although, I will say some photos can feel a little eerie and ghost-town like with their lack of humanity in the shots.
The book is laid out by the photographed places area in the world, with each section beginning with a numbered map. Some of the places are more historical with the written sections appreciating their history while others are more dry and just outright comical in their commentary of the place. All of the places within are somewhat off the beaten track which is something I really love. While I think an Anderson fan would love this book, I think anyone with an interest in photography or architecture, or even just someone who enjoys flicking through a good book with beautiful, crisp photography shots and great colour palettes, would love this book. It’s a welcomed and well-loved addition to my home library.
What is something you like to revisit in new ways? Let me know.
Cheerio for now!